#ADOBE PREMIERE 6.0 2001 DRIVER#

Single track editing is a new and welcome addition to 6.0. Keyframes, filters and compositing tools on the video end have brought Premiere 6.0 a little closer to the shining star of its adopted COSA sibling, After Effects.ДЄs in After Effects, if you have a file from another Adobe program like Photoshop in your project, you can edit that document in the program in which it was created and the file will be updated automatically in the Premiere 6.0 project. Unlike After Effects and many other editors, however, Premiere 6.0 does not allow more than one sequence per project. This is a real drawback when you need multiple versions of the same piece. We installed Premiere 6.0 in an HP Pavillion with a P4 1.5GHz and a built-in OHCI-compliant FireWire card. For DV device control testing we batch captured footage from three different cameras. We used two Mini DVs (Panasonic AG-DV1000 and JVC DVL-9800) and a Digital8 (Hitachi VM864LA). The Panasonic was by far the hardiest of the lot when it came to device communication performance.

#ADOBE PREMIERE 6.0 2001 DRIVER#

The driver quickly brought the camera online, and Premiere 6.0 swiftly acquired its shots.

The JVC did not come online until we restarted, with the camera off, and relaunched Premiere 6.0. Then, after two or three attempts at establishing control in the settings, the JVC came alive and responded quite well in searching out its batch list. The Hitachi took some fussing with in order to get the driver to see the camera.

When it did respond, Premiere 6.0 began to hang a bit in its response. Windows froze several times and when an action was taken, it took an uncomfortable moment or two to respond. Eventually, we received the captured list. Using the single track mode of the edit interface, we began laying shots in the timeline.

Adobe premiere 6.0 2001